There’s a lot of maintenance that goes into being a professional singer.
T Bone is genius. The way they’ve recorded my voice and the instrumentation to these songs is really quite extraordinary.
I love Mary Chapin Carpenter songs. I love her songs ‘Come On, Come On’ and ‘I Am A Town’, they’re two of my favorite songs.
My two great loves are music and horses.
The word, and the concept of feminism, was a gift because it gave me a sense of identity and a way of defining how I wished to live my life.
When there’s an opportunity to do more, we must.
I was hugely relieved to discover there was a purpose for girls with loud voices.
I have never experienced racism in the feminist movement, so it concerned me to think that I was unable to see the subject clearly because I came from white, middle-class privilege.
So, when the discussion about not using the term feminist came up at a conference workshop, I couldn’t believe it. The more I listened, the more I felt the need to express my passion about my identity as a feminist.
Well, the teacher I studied with for nineteen and a half years was a man named Paul Gavert. He was a great lieder singer, so basically I’m a trained lieder singer because of that teacher. The teacher I currently study with – since 1995 – is Joan Lader, who also studied with Gavert.
I had no words for these feelings. And then people started using the word Ms. Suddenly, there was this handle with which I could identify myself and understand why I felt so out of whack with the culture around me.
It was critical to finding a way out. I had assumed young women knew the history of feminism and must have felt gratitude to the movement for the opportunities that the work we have done has afforded them.
It’s just a little ranch. Thirty-five acres. In Texas, if it’s not a thousand acres, it’s considered a ranchette.
We can’t compare stories. We can only know in our hearts that we are the same. That may be the best we can do.
Our stories are different; our pain is the same.